organs of love are the power-sleaze duo of james mckinven (organs, love) and alicia matthews (vocals, love). james mckinvens musical odyssey started with playing synth in (kraftwerk, suicide-inspired) electro band berlin blondes. he then moved on to altered images. after that he worked in genetic studios learning from the modern day genius that was producer martin rushent (human league, the stranglers, the buzzcocks). then went on to form one dove and worked with maverick genius andy weatherall. after that he drifted back to where it all started, analog electro, and miss alicia matthews. alicia matthews has quite a different background – one from fine art and performance. through working together at the same bar and having many intoxicating late night chats, they decided to try to get back to a 70s theatrical, musical performance: where live music and art combine for something beyond the rock gig vibe. and luckily enough, miss matthews has quite the pair of pipes – a true vocal delight. the result is organs of love … who frequently perform live around glasgow and have quite the reputation of thee band to see. videos can be provided, but they are not for the faint-hearted! not that optimo music ever provide a dull moment …

a thick slice of deep analogue house from the crew @ machine age in pittsburgh follows their well received debut on uzuri. 4/4 machine funk with more than a touch of kraftwerk / moroder synth burbling. hard screened jackets.

fresh up specialise in strictly limited edition 45rpm singles showcasing the finest in new-old-sounding library funk, moog disco and vocoder boogie sounds. fresh up boss ed dmx returns with two low-tempo vocoder funk jams. >funky dancer< on the a side is pitched halfway between zapp and kraftwerk with an ice-cold metronomic electronic backing underpinning some funky vocoder singing and live tambourine. >that wild and freaky robot funk< features more live percussion over a much warmer sleazy funk joint with more soulful vocoder action

winning signal is bells sixth release. managing to mix up acid, disco, electro and funk the group continues to gain fans that include andrew weatherall, gilles peterson, trevor jackson and more. >winning signal< is classic electrofunk style, >mode 3 sounds like kraftwerk via detroit. all in all, a quality electro release! following on from soul jazzs recent electronic releases from the likes of sutekh and kit clayton, this is more new electronic dance music on soul jazz records.

hris liebing and the clr team are very exited about the upcoming release of clr 049. the engine ep by black asteroid is the brand-new project of an artist who has been an unconventional techno innovator and a big inspiration for many years. black asteroid is the brainchild of bryan black, who started his career as a sound designer for prince. while working with prince at paisley park studios, bryan learned and honed sound and production skills, which inspired him to start his own band. he moved to london england and co-founded a band called motor. their first demo was quickly signed to novamute, and after 2 singles, motor were catapulted to the top of the techno world, sharing stages with daft punk and kraftwerk at major festivals, and later embarking on a world tour supporting depeche mode in 2009. in april 2011, bryan decided to start a new project by the name of black asteroid, to showcase an exciting new sound and to re-capture the techno world once more

superb third release on universal human underground featuring four latvian producers delivering a great ep with some cool ur / kraftwerk references but with an original sound also.

re-edits of william onyeabors early 80s afrobeat meets kraftwerk / funk classic tracks >when the going is smooth and good< and >everyday<. we are pleased to bring you the first release on soundbox dynamic recordings.
the anonymous production team behind soundbox have delved into their extensive record collections with a view to release new versions of rare & sought after album tracks that have not been released on 12 inch. giving them a new lease of life with new arrangements and remastered for best audio quality on vinyl only releases.
this features two very hard to find cuts from this african artist from the 70s producing stripped down spacey, lo-fi electronic disco / funk unlike any other nigerian music being made at the time and is still just as unique and relevant today.
these releases are very limited and individually numbered!

killer italo / new york disco meets detroit techno meets krautrock bomb in a dfa stylee! subways new 12 inch single is a startling cosmic marriage of influences – german electronic rock music from the 1970s (cluster, kraftwerk, neu, harmonium, ash ra tempel), 80s detroit science fiction techno (carl craig, juan atkins, jeff mills) and a hint of italian and european disco (baldelli meets cerrone, space, moroder and jean michel jarre).

selected advent deal - 7th sign is proud to announce a very special release. formerly of the g-strings label out of chicago (first heard in 1990), this is truly a classic rarity that now takes pride of place in the 7th sign catalogue. this newly re-mastered issue features all the original tracks, including the classic title cut with its haunting strings and kraftwerk-esque mechanical groove. all the tracks have a very deep minimal arrangement and production and each stands up against todays modern backdrop. this is a real gem and a great time capsule of chicago house from back in the day. this release offers a rare opportunity to own a rare record that has assumed classic status and price.

a1 – >10% is gone<: full bodied track, heavy melodic bass line really drives the whole thing! intro has a slight purple haze feel to it, the squealing atmospherics and percussion create a chilled ambience while at the same time the bass/kick combination keeps your head nodding! b1 – >free luv<: a very 80s sounding track, kraftwerk-esque rolling bass line. synth and strings add to this very pumping kick heavy piece! b2 – >in upper case< : highly percussive song, super deep bass and echoed and poppin synth sounds. this track really bounces: the brass section is a welcome addition along with a number of cool vocal samples. a real strong track

this is a remix package of legendary 80s kraut rock record >moebius, plank, neumeier – zero set< which have been influenced to many artist .zero set was produced by the half of cluster >dieter moebius<, the drummer of guruguru >manfred neumeier< and conny plank who were acclaimed as one of the best recording producer. conny have worked for kraftwerk, ash ra temple and name a few. original ricardo villalobos remix is 33:38min long. remix is split to pt1&2 to the vinyl release. there are no set date of the digital release at the moment. please look for vinyl!!

>tuff enuff?< sounds just the way an affirmative answer to the titular question should: lean and muscular, with sinewy bass flexing its way straight through. its a song full of robust underpinnings and carefully placed counterbalances: synths that lustrously shimmer and slowly dissipate, keys that sparkle faintly at the quietest moments. the first single on from the cradle to the rave, the debut album from shit robot – aka marcus lambkin, aka >the godfather of dfa< – is a perfectly executed composition in >homage to chicago house, kraftwerk and gay electronic disco.< the b-side features a wild geese remix of >i found love<, another stellar track from lambkins debut. in the capable hands of djs dan foat and frank tope, the laidback original

jocke & elliots debut release which features the beautiful synth-pop tracks regnbagen and stadens labyrint. jocke is an established producer from gothenburg, and the beautiful young voice is from luke eargoggles son elliot. classic electro pop for all the fans of kraftwerk and dopplereffekt. lovely record!

freska belongs to the new generation of artist not bound to follow one genre. his releases therefore differ enormously. he states in his biography that he was influenced by music from black sabbath to kraftwerk, but this just implies the range of music and is not really to be grasped.

we at m=minimal are proud to have >conrad schnitzlers – zug< as first release. schnitzlers zug is one of the most important and first electronic minimalist works that were published in the 70s. almost simultaneously with the kraftwerks groundbreaking >autobahn< zug appeared on the legendary >the red cassette<. the wire magazine wrote about zug: kraftwerk might have used similar methods to create rhythm<!

one of the master teachers of the norwegian house and disco rune lindbaek - who put oslo on the house map as part of the those norwegians ( paper music ) - joins forces with younger disciple kare frisvold for a potent, accoustic hallucinogenic called >bozak brewed with the shared knowledge of mad sounds scientist like walter gibbons and lee scratch perry: a constantly building electrical storm of strange psychedelic synth noises pierced by flutters of rico rodriguez style trombone solo, liquid guitar scales and kraftwerk like melodic fragments all held together by a forcefull drum beat. the quirky >spok & spenning< on the flip is another beautifully strange mixture of cinematic melodies, like sweated out by a drunken ennio morricone, over an easy skanking beat and comes additionally in a stripped down bonus beat plus spacey sounds version by prins thomas. take a trip to your mind!

marc feind was born in scotland and raised in germany. he was influenced by punk, kraftwerk and funk. as a dj he played chicago house and played siegessäule at love parade. his cover version of the german punk band extrabreit is a mixture of electro/punk, house and break beat. the ep comes with two mixes and traxx by stereo jack and two anonymous techno big name djs/producers.

long-awaited second release on uhu feat four tracks of perfectly-crafted electro heavily influenced by kraftwerk/ur

fresh up is the top secret, just-for-fun label started by a legendary electronic producer based in the uk who has close ties to the rephlex camp. think kraftwerk, giorgio moroder, george clinton and dam funk in equal parts and you are on the right path. this is the first release from the new label which will specialise in strictly limited edition 45rpm singles showcasing the finest in new-old-sounding library funk, moog disco and vocoder boogie sounds.

a 1982 released lp called >ten ragas to a disco beat< containing kraftwerk-like acid house music, years before the genre was invented ! tip!

the new minimalrome series for clubbers in sick-leave! the hacker known for his classic releases with miss kittin comes with a new track called -haunted- which is a kraftwerk, dopplereffekt inspired electro track, with an 808 punching pattern counterpointing a deep analogue bassline enveloped in rich, harmonic pads. on the b side, a remix by feedback remix who delivers a solid acid electro techno work out as we know of some lory d and early passarani works. the second remix is the banda banetti remix (a new minimalrome project) with pulsating acid lines and fast paced hautning techno electro beats. get those strobe lights flashin!! mrx records are sadly limited to 250 copies

we welcome this fantastic producer on trapez with this piece of music which is quite different from most of what we get today. the title track >ghosts< feels like as if klaus nomi and kraftwerk were performing together... something we would have loved to have seen but which never happened. this track is not for the people who love it safe but for the adventurous and the wicked. voices like sirens striking with high pitched tongues being counteracted by basslines with a surface that can only be described as rough as chunks of splintered steel. a brilliant stop and go feeling shows that christian martin is the master on the steering wheel when it comes to controlling the movement.

exciting synth disco by roland sebastian faber. mr faber deivers some high quality timeless synth compositions as we heard from him before on this lovely cult label aube records! mr faber produced music for many wellknown pop arists and this is his personal fetish project that gives him the space to go crazy on his analogue synth collection and high end studio gear. comes with beautiful artwork of emi schultz (kraftwerk designer)... this is one of those releases that will not create a big stir among hype press and blogs... but most definitely it will make many people very happy! a great piece of electronic disco, 70s french synth pop. great artwork, limited edition of 300, high quality 180 grams vinyl! future collectors item!

a must have 4 track selection!!

new three track ep from beatfanatic. robots could be a kraftwerk hommage with an 80s movie score style. hot has more 80s style warm synths and jan hammer meets italo disco flair. guide (rayko cosmic remix) features rayco penas synths and beats with some nearly wordless sexy female vocals.

this is a limited 12inch vinyl release on kieran hebdens (four tet) text records label. 500 only for the world. two new remixes of one of the stand out tracks from the debut album by one little plane that came out last summer. the first mix is by avus who is one of the artists on james holdens border community label. a beautiful piece of melodic techno that has been getting lots of play at border community nights since late last year. the other remix is by joe goddard from hot chip. techno with a strong uk garage influence. following on from the amazing remixes he has done for everyone from gang gang dance to kraftwerk.

electronic music of the highest order here, think kraftwerk / early ur etc, this debut release from elekridas on the universal human underground label is a beautiful, deep, spacy 4-track journey that is well worth taking!

welcome to rebel intelligence - the new label is ready to make you pop like it was 1984 all over again! their first single is by the uks matt whitehead, one half of signal type (along with phil bolland on the cultivated electronics label) and captures the style of early electro funk in all it s analogue glory. so good! the a sides >beat the heat< is the more pacey of the two tracks here, constantly building with vintage synth stabs and the true feeling of electro, reminding us of harold faltermeyer and all those cats so heavy influenced by kraftwerk. on the flip, >tuff city< combines classic b-boy sounds and punchy drum programming to create an authentic listening experience that will make you want to get your lino out and bust some moves. highly recommended.

luke eargoggle and johan inkinen aka facelessmind return on lunar disko records with more futuristic drexciyan/dopplereffekt style jams! the dynamic swedish duo, who have already appeared on creme organization, breakin records, and strangelife, deliver four ice-cold electro tracks for the freakz only! the title track >glasriket< is a deep and dark workout, with its unique sounds and melodies, bubbly basslines, and a haunting lead synth throughout, all on top of some masterful 808 programming. the second track on the a-side is >my machine< with big influences from dopplereffekt and kraftwerk, phat analogue basslines and beautiful melodies rule this track while a killer vocoder vox highlight the amazing production skills of these swedish electro professors! on the b-side >visions fade away< is simply a stunning piece of electronic music. probably the best faceless mind track to date ... a bomb of a track that will rock down any club! the second track on the b-side >herr furste< treats us to more killer 808 beats, raw analogue basslines, and classic synth melodies in true faceless mind style. an outstanding 4 track ep from the prolific faceless mind - future classics! limited to 500 vinyl copies.

teufelswerk the german for devils work is hells masterpiece and a towering double album follow up to 2004s ny muscle and his breakthrough 1998 opus munich machine. across 16 exquisite tracks divided into two themes, night and day, hell weaves an intoxicating spell. night sees hell in more familiar nocturnal surroundings as detroit and chicago grooves battle the ghosts of kraftwerk, neu! and daf with notable vocal contributions from bryan ferry and p. diddy.

big with: james huxley, norihiro kawai, ian pooley, james talk, andy baxter, the fix, kabuto & koji,.. introducing a new member to the get physical family: bristol based bronnt industies kapital. the seasoned and talented guy bartell has been making music for years. in fact he has two previously released artist albums under his belt. hard for justice, is an album filled with euphoric chords, complex melodies and resonant beats all connecting somewhere at the cross roads of kraftwerk and joy division. this single is all about expanding bronnts club land audience. how better to do that than have >objects & purpose<, the first single from bronnts debut album on get physical, remixed by booka shade vs. m.a.n.d.y. and lopazz.up first is m.a.n.d.y. vs. booka shade, both of whom need little to no introduction, but we will give them one anyway.

flight patterns is arthur oskan s follow up to his matrix debut >flashback<. flight patterns opens with the epic track aerial, a slowly building dance floor scorcher that secretly recalls the works of kraftwerk, vapourspace, and tangerine dream. aerial is sure to be a mainstay in your dj set for months to come. the flip side contains the deep tech-house aril brikha styled production that oskan has become known for on the track entitled stopover and the indescribable, yet funky synthesizer workout entitled more than space. flight patterns is another top production by one of toronto s best producers.

sebastien ist bekannt durch seine releases auf planet e, rush hour und gigolo. er wuchs mit dem sound von kraftwerk, giorgio moroder, prince und serge gainsborg auf. danach hatte detroit techno und chicago house einen grossen einfluzss auf ihn. sebastien hat bereits mit kirk degiorgio, kevin saunderson und fabrice lig gearbeitet. sebastiens zweite platte auf echocord colour enthält zwei perfekte dancefloortracks mit einem hauch von carl craig, omar s und dopplereffekt

thisisnotanexit records was established in 2006 to release wild out there dance music inspired by factory and the legacy of tony wilson as well as contemporaries dfa and output. this is the first of a series of limited edition 12inchs from thisisnotanexit to launch new acts and comes from spectral empire a couple of soundtrack obsessives from london. taking cues from everything from zombi to chateau flight to kraftwerk this debut release sits amongst the current proclivity for slowed down disco but made with analogue equipment and infused with heart and soul.

skylax records, the company focused on realeasing original obscure dance classic and everythings that sounds fine to their ears! for our 11th release , we decided to bring you guys a brand new track from the italo master of all time: the fantastic beppe loda under the name italowerk. honestly, we were not expecting anything, as he did so much for electronic music already for the past 20 years, resident at the legendary typhoon club in italy (brescia), playing a huge amount of electronic underground tracks that are praised today by clubbers & vinyl fetishists, he created also what we called today afro cosmic. we could sum up his new project just by its name italowerk = kraftwerk meets underground italo. the first track is called sognando that we could translate by dreaming. indeed, this is a very powerfull track, that sounds almost like an italo lost gem (circa 1982) but with an incredible modern feeling, full of crazy electro synths, arpeggios and a terrible kick: an athem!

this is quite simply one of the most glorious records you will hear this year. it would be easy to lazily reference it against classic period rephlex/planet mu stuff (oops, i just did!), and indeed it appears to share some of the same heritage (even going so far as to feature a remix of rephlex artist global goon in its tracklisting) - but chris leary aka ochre is obviously a man on his own mission. gorgeously lush, but at the same time super-funky…as electronic as kraftwerk starring in a remake of tron, yet somehow as pastoral and organic as edward elgar…much like his label-mate ed chamberlain, leary manages that tricky task of being supremely technical in his programming and arrangements, but without losing the heart and soul of the music amidst all the studio trickery. you know that old chestnut often said when referring to vintage or classic music, >they dont make them like that any more<? well they do…and here it is! simply fantastic.

moving away from the multi artist approach of the previous 7 releases, ir-008 sees jason brunton take a more direct approach to the dancefloor with this straight up techno workout. stabbing chords run amok over a xxl moroder-esque bassline-hints of basic channel, carl craig and the shuffling rhythms all combining to create something both fresh and familiar at the same time. since his initial outings on headpace and iridite many years ago, marco bernardis career has went from strength to strength with a string of releases on glasgows soma records and a fruitfull relationship with the dutch masters clone- here he takes mixed metaphors in a new direction- crazed synthetic vocals combine with ice cold strings and electro beats worthy of any aux 88 or kraftwerk release! rei loci turns in a superb reworking, moving into deeper realms and coming off like early robert hood crashing into maurzios back yard!

phreakin old skool elektro a la rother or kraftwerk… detroit flavoured

2002 classic!! includes excerpts from kraftwerk/africa bambataa!!

electronic avantgarde! mooner edits.. conrad schnitzler is considered to be the keyfigure of electronic avantgarde music in europe. schnitzler, joseph beuys first student was member of tangerine dream and kluster (who would later become, cluster. many years ahead of his time, con was revolutionary in many aspects, he predated industrial music, sounded like kraftwerk and daf before they did and makes music today at the age of 71. mooner is not only known for zombie nations, kernkraft 400 that became a top ten hit in many european countries. he is also dj, compiler for the compilations, elaste, slow motion disco, on compost, and, together with pollyester just established a new label called love in c minor.

atmospheric and melodic electro 2 tracker!! sleeve design by kraftwerk designer!!

typical sju deep workout here with spanish vocals great remix by glenn underground under his cvo moniker with a great tribute to kraftwerk mix !! special backstock

>beaten< is the first track to be released from random factor’s new album and comes with excellent art of tones remixes.carl a finlow again shows his history and pedigree as well as his refusal to jump on bandwagons and trends by producing timeless electronic music inspired more by kraftwerk, yello, stockhausen, tomita, prince, sakamoto, brian eno and the white noise than by what’s playing this summer at dc10. ralph lawson used >beaten< as the last track on his recent 2020vision compilation. this jerky sporadic groove gives a nod to the forefathers while holding down a beat anyone would be proud of. the single comes complete with remixes from art of tones, fresh after last year’s huge >praise<. this mystery outfit has now signed to 2020vision and this is the first of many bombs from them. art of tones take the track directly to the dancefloor and produce two versions that would slay berlin’s panorama bar at 9 on a sunday morning.

already played by many electro djs and now finally available in a very limited 2x 12inch handstamped package: the lady ultimate album by duracel. his sound has been described as: >daft punk with a twist.< >dark, but funky with influences of kraftwerk, air and the tuss. this is minimal electro. essential!< only 250 copies worldwide. guaranteed no repress

fresh upfront techno minimal / techhouse. twisted stuff -sounds like kraftwerk meets justice with a touch of berlin 2010! very strong hot new act on lexy & k pauls music is music label!

intense ep is the first laurent paranthoens 12inch release on elektrofon records. this french artist from paris is known for his production on the independent russian label q code. influence: kraftwerk, depeche mode, detroit techno, minimal techno, electro.

excellent pheaking old skool 80s / kraftwerk inspired split ep

sometimes, its still worth not to waste your youth with nonsense but to learn to play an instrument. like in the case of sebastian mullaert, who has learned to play violin, organ and piano, while his partner marcus henriksson rather came from kraftwerk and human league to electronic music. as son kite, the two swedes have already a well-known name in the psy-trance scene, and as minilogue, they now start to conquer the minimal and house world. with their rather unique sound, they manage the tightrope walk between minimal and trance and never allow us to put them into a drawer. especially with their debut on cocoon rec, minilogue present themselves in a different way, compared to their releases on traum or wagon repair. >jamaica< is a calm track at the first hearing and is perfect for building up a set. beginning with bird-like sounds, the track builds up slowly and quickly becomes very interesting and tricky, ramifies as organic as a climbing plant, and when the tribal sound emerges from the underground, this track has exactly what makes minilogue so special: organic matter and groovy sounds, worked into a minimal labyrinth with very much love for the details. all of that can also be found on the b side which seems to be more adequate for the morning hours, with its somehow spacey sound. with >jamaica<, mullaert and henriksson prove that they are floating on the very surface of the endless minimal ocean. and with their album >animals< being already in sight on cocoon recordings, one can be highly anxious of what is coming ahead, by minilogue and techno made in sweden

he is a dj, producer and a sound architect with lots of alias like: mystic letter k, mr barth, fred, shape changer, vector, the mantic and of course braincell. with this name cari lekebusch released his first album 1995 on harthouse. raised up in stockholm, started the family lekebusch their musical career in the eighties as party promoter, which changed on the beginning of the nineties to a design company. cari met adam beyer, joel mull and jesper dahlbäck in stockholms biggest recordstore for electronic music. these are names which put sweden on the international map for the electronic scene. caris first musical effects came from sweden, usa and germany: james brown, ralph lundsten, herbie hancock, africa bambaata, egyptian lover, chris >the glove< taylor, kraftwerk and mantronix. his remixes and production were released on many labels worldwide like: drumcode, truesoul records, code red, railvard recordings, heroes, corb, harthouse, loop / plumphouse records, missile, jericho, tortured, electrix, primevil, telephatic.